El retablo de Santo Domingo de Gúzman procedente de Tamarite de Litera (Huesca, Aragón): ejemplo paradigmático de la iconografía medieval hispana dedicada al fundador de los dominicos

Authors

  • Gemma MALÉ MIRANDA

Keywords:

Arte, iconografía dominicana

Abstract

Resumen: Entre los años 40 y 60 del s. XIV se realiza, para la colegiata de Santa María de Tamarite de Litera, uno de los primeros ciclos españoles dedicados a santo Domingo. Se trata de uno de los ciclos más amplios conocidos hasta el momento, sólo comparable a algunas obras italianas con las que muestra numerosas coincidencias a la hora de elegir los temas representados y de realizar las composiciones. Desde el punto de vista estilístico no hay ninguna duda de que se trata de una obra ejecutada en Cataluña pero inspirada en una iconografía italiana. Por consiguiente, este artículo pretende proponer algunas hipótesis sobre cómo pudo conocer el autor de este retablo los ciclos dominicos que se estaban realizando en Italia.

Abstract: Between 40 and 60 years of XIVth Century is carried out for the colegiata de Santa María de Tamarite one of the first Spanish cycles dedicated to St. Dominic of Guzmán. This is one of the larger cycles known so far, only comparable with some Italian works which show many coincidences with the scenes represented and theirs compositions. From the stylistic point of view , there is no doubt that is a work executed in Catalonia but inspired by the Italian iconography. Consequently, this article propose some hypotheses about, how could know the author of this altarpiece Dominican cycles being made in Italy.
 

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Published

2015-04-22

How to Cite

MALÉ MIRANDA, G. . (2015). El retablo de Santo Domingo de Gúzman procedente de Tamarite de Litera (Huesca, Aragón): ejemplo paradigmático de la iconografía medieval hispana dedicada al fundador de los dominicos. Archivo Dominicano, 33, 239–258. Retrieved from https://archivodominicano.dominicos.org/ojs/article/view/295

Issue

Vol. 33 (2012)

Section

Artículos

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